Ὄνου σκιὰ
a donkey's shadow
Translated by Ronald Allen1 Feb 2010Vetting: high8 revisions
Translation
Greek original · Adler’s text
Ὄνου σκιὰ καὶ Περὶ ὄνου σκιᾶς· Σοφοκλῆς Κηδαλίωνι· ὅ τι ἄν τι γίνηται, τὰ πάντ' ὄνου σκιά. Ἀριστοφάνης Δαιδάλῳ· περὶ τοῦ γὰρ ὑμῖν ὁ πόλεμος νῦν ἐστι; περὶ ὄνου σκιᾶς. Ἀριστοτέλης δ' ἐν Διδασκαλίαις καὶ δράματός τινος φέρει ἐπιγραφὴν Ὄνου σκιάν. οἱ δὲ πρῶτον φθέγξασθαι τοῦτο Δημοσθένην, ἀπολογούμενον ὑπέρ τινος ἐπὶ μεγάλαις αἰτίαις κρινομένου, ὡς ἑώρα θορυβοῦντας τοὺς ἀκροωμένους. παρακαλέσας γὰρ αὐτοὺς μικρὰ προσέχειν ἤρξατο διηγεῖσθαι, ὡς Μεγαράδε ἀπιὼν μισθώσαιτο ὄνον, καύματος δὲ ἐν τῇ ὁδῷ γενομένου, ὑπὸ τὴν σκιὰν τοῦ ὄνου βουληθείη ἀναπαύσασθαι, οὐ παρεῖναι γὰρ οὔτε δένδρον οὔτ' ἄλλο τοιοῦτον οὐδέν· τὸν δὲ ὀνηλάτην κωλύειν φάσκοντα, ὄνον αὐτῷ μεμισθωκέναι μόνον, οὐ μὴν καὶ σκιάν· ὥστε διατριβὴν αὐτοῖς καὶ φιλονεικίαν πολλὴν περὶ τούτου γενέσθαι. ταῦτα δ' εἰπών, ὡς εἶδε τοὺς Ἀθηναίους προσέχοντας σφόδρα καὶ ἡδομένους καὶ ποθοῦντας τὰ ἑξῆς ἀκοῦσαι, ἐπέπληξεν αὐτοῖς, εἰ περὶ ὄνου μὲν σκιᾶς ἀκροᾶσθαι δέονται καὶ παρακαλοῦσιν, ὑπὲρ δὲ ἀνδρὸς περὶ τοῦ ζῆν κινδυνεύοντος οὐκ ἐθέλουσιν ἀκούειν. δῆλον δὲ ὅτι λεγομένῳ τούτῳ ἐχρήσατο Δημοσθένης. διόπερ καὶ ἐν τοῖς Φιλιππικοῖς παρῳδῶν τὴν παροιμίαν φησὶ διαφέρεσθαι τοὺς Ἀθηναίους περὶ τῆς ἐν Δελφοῖς σκιᾶς.
Betacode
*)/onou skia\ kai\ *peri\ o)/nou skia=s: *sofoklh=s *khdali/wni: o(/ ti a)/n ti gi/nhtai, ta\ pa/nt' o)/nou skia/. *)aristofa/nhs *daida/lw|: peri\ tou= ga\r u(mi=n o( po/lemos nu=n e)sti; peri\ o)/nou skia=s. *)aristote/lhs d' e)n *didaskali/ais kai\ dra/mato/s tinos fe/rei e)pigrafh\n *)/onou skia/n. oi( de\ prw=ton fqe/gcasqai tou=to *dhmosqe/nhn, a)pologou/menon u(pe/r tinos e)pi\ mega/lais ai)ti/ais krinome/nou, w(s e(w/ra qorubou=ntas tou\s a)krowme/nous. parakale/sas ga\r au)tou\s mikra\ prose/xein h)/rcato dihgei=sqai, w(s *megara/de a)piw\n misqw/saito o)/non, kau/matos de\ e)n th=| o(dw=| genome/nou, u(po\ th\n skia\n tou= o)/nou boulhqei/h a)napau/sasqai, ou) parei=nai ga\r ou)/te de/ndron ou)/t' a)/llo toiou=ton ou)de/n: to\n de\ o)nhla/thn kwlu/ein fa/skonta, o)/non au)tw=| memisqwke/nai mo/non, ou) mh\n kai\ skia/n: w(/ste diatribh\n au)toi=s kai\ filoneiki/an pollh\n peri\ tou/tou gene/sqai. tau=ta d' ei)pw/n, w(s ei)=de tou\s *)aqhnai/ous prose/xontas sfo/dra kai\ h(dome/nous kai\ poqou=ntas ta\ e(ch=s a)kou=sai, e)pe/plhcen au)toi=s, ei) peri\ o)/nou me\n skia=s a)kroa=sqai de/ontai kai\ parakalou=sin, u(pe\r de\ a)ndro\s peri\ tou= zh=n kinduneu/ontos ou)k e)qe/lousin a)kou/ein. dh=lon de\ o(/ti legome/nw| tou/tw| e)xrh/sato *dhmosqe/nhs. dio/per kai\ e)n toi=s *filippikoi=s parw|dw=n th\n paroimi/an fhsi\ diafe/resqai tou\s *)aqhnai/ous peri\ th=s e)n *delfoi=s skia=s.
Notes (5)
- The twin headword phrases are generated by the two quotations given; and the entire entry occurs almost verbatim in Photius' Lexicon (omicron364 Theodoridis).
The proverbialo)/nou skia/ was a common C5 BCE metaphor for something completely worthless (Pearson, pp. 11-2); cf. omicron 401, upsilon 327 (on which see further below, n. 4). This explanation for the expression is also given by the scholia to Plato, Phaedrus 260C (web address 1), where Socrates compares a rhetorician's endorsing evil under the name of good to praising the shadow of a donkey under the name of a horse; cf. the scholion to Lucian, Hermotimus 71 (Rabe, pp. 245-6), which is the same. See generally Tosi [cited under alpha 378] no.1939. - 1Sophocles fr. 331 Radt. (Cedalion was evidently a lost satyr play; cf. Lloyd-Jones, pp. 182-3, whose selection, however, omits this fragment.) [In her critical apparatus Adler reports that ms A (= Parisinus 2626, before correction) transmits
gi/netai , the present indicative middle/passive, third person singular form of the verbgi/gnomai (see LSJ s.v.), instead of the subjunctive: whatever happens.] ↩ - 2Aristophanes fr. 199 K.-A. (192 Kock). The expression appears again at Aristophanes, Wasps 191 (web address 2), when Bdelycleon ("Loathes-Kleon") asks Philocleon ("Loves-Kleon") what he is fighting about, and the latter replies that it is "about the shadow of a donkey". On Kleon (Develin person no. 1659), see OCD(4) s.v. Cleon and kappa 1731. [Adler reports that ms G reads
h(mi=n : for us.] ↩ - 3Aristotle fr. 625 Rose. Aristotle's Didaskaliai (Production Records or Rehearsals) contains the first systematic record of Athenian theatrical productions (Csapo and Slater, p. 22; OCD(4) s.v. didaskalia). Evidently correlated with Aristotle's recorded entry, Zenobius 6.28.20-1 identifies the Old Comedy poet Archippos (alpha 4115 and OCD(4) s.v. Archippus) as the author of a play entitled
*)/Onou skia/ . ↩ - 4With divergent details in the account, see also upsilon 327. The story is told again at Photius, Bibliotheca 495a17-30. [Adler reports that mss AS and M (before correction) all read
tou=ton and Photius' Lexicon omitstou=to (they are first to credit Demosthenes); also that ms G substitutesa)po\ forperi\ : from this; also that that ms S deletedta\ (to hear more only) readsau)tou\s , the accusative case, which can also follow the verbe)piplh/ssw (I chastise, rebuke; see LSJ s.v.), and replacesde/ontai kai\ parakalou=sin withle/gontai (they are asking about).] ↩ - 5Demosthenes 5.25 (web address 3). Harpocration and Photius' Lexicon pi787 Theodoridis (s.v.
peri\ th=s e)n *Delfoi=s skia=s ) cite Didymus as having suggested that Demosthenes used the expression to describe the political intrigues of Philip II of Macedon (reigned 359-336 BCE; cf. phi 354 and OCD(4) s.v. Philip(1)) within the Delphic Amphictiony (cf. iota 182, iota 183, pi 3161, and OCD(4) s.v. amphictiony). Against this, recent commentary generally argues that the orator was gesturing at the futility of Athens' participation in the Amphictiony (Gibson, pp. 172-4). [The text of ms S readstoi=s *)Aqhnai/ois : to the Athenians (so Adler).] ↩
References
H. Rabe, ed., Scholia in Lucianum, Stuttgart: Teubner, 1971
H. Lloyd-Jones, ed. & trans., Sophocles: Fragments, Cambridge, MA: Harvard University Press, 1996
R. Develin, Athenian Officials 684-321 BC, Cambridge: Cambridge University Press, 1989
E. Csapo and W.J. Slater, The Context of Ancient Drama, Ann Arbor, MI: University of Michigan Press, 1995
C.A. Gibson, Interpreting a Classic: Demosthenes and His Ancient Commentators, Berkeley: University of California Press, 2002
External resources
- Web address 1 perseus.tufts.edu
- Web address 2 perseus.tufts.edu
- Web address 3 perseus.tufts.edu
Linked from3 entries
- ν378Νικᾷ τὸν ὀνηλάτηνhe is defeating the donkey-driver[sc. A proverbial phrase directed] towards the man not listening to warnings, but propelling himself into destruction.
- ο353Ὀνηλάτηςass-driver, donkey-driver[Meaning] one who drives asses/donkeys.
- ο401Ὄνου σκιάa donkey's shadow[sc. A proverbial phrase] in reference to nothingness. For they say that a youth hired a donkey [to take him] from Athens to Delphi. At noon, after stopping his donkey, he slipped into its shadow.
Neighbouring entries
Revision history8 revisions · last 30 Dec 2014
- coding — Catharine Roth
- updated some refs — David Whitehead
- coding, upgraded links — Catharine Roth
- updatings and adjustments — David Whitehead
- added Tosi — David Whitehead
- cosmetics — David Whitehead
- more keywords; tweaks and cosmetics; raised status — David Whitehead
- betacode capitalization — Catharine Roth
- Translated — Ronald Allen